Lot 213

J. Seeley - Group of 4 Prints (M90636A-0523-004-A)

Estimate: $500 - $1,000

Bid Increments

Price Bid Increment
$0 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
$50,000 $5,000
$100,000 $10,000

Prints, Total matte size for each piece: 14" x 11". Descriptions/measurements from left to right: 1.) 8.25" x 6.75". Edition 26/110. (2.) 7.75" x 6.75". (3.) 8.25" x 6.75". (4.) 7" x 8". Edition 26/110. 



Very Good condition. See photos.

Overall Dimensions
Height: 14.00
Width: 11.00

Available payment options


Terms for all Purchases: The "Purchase Price" for each lot shall equal the hammer price, buyer's premium, sales tax, and, if applicable all packing, handling, insurance, and shipping costs. Buyers must pay the full Purchase Price for each purchased lot within 14 days after the date of the auction. If the lot reaches above $50,000 in dollar value. The lot must be paid by ACH transfer. Accepted payments are cash, wire transfer, personal check, Visa, Mastercard, American Express, and Discover." Unless exempt by law, the Purchaser will be required to pay any and all applicable state taxes. In the event of deliveries outside of Arizona, it is the Purchaser's responsibility to pay any compensating or use tax of another state on the purchase price. All monies shall be made payable to Mark Sublette Medicine Man Gallery. At the Gallery's discretion, payment will not be deemed to be complete until funds represented by checks or credit cards have been cleared and fully processed by Seller's bank, usually within 1-10 days. We reserve the right to hold shipment until payments clear the bank. The title shall not pass to the Buyer until all invoices are paid in full.

Ex private collection, Arizona. The owner's grandmother founded the Neikrug Gallery in 1971 in New York, New York where the print was acquired.

These photographs come from a collection of photographs Seeley produced beginning in 1975. The project lasted 6 years and culminated in a country wide exhibition and an edition of 110 portfolios (which sold out).

“I worked with lighting and high contrast film to eliminate any trace of gray or shadow from the pictures. Form and contour were rendered surprisingly well by the black stripes alone, no gray, no grain, no tone, just rich black on white paper.” - J. Seeley